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"Whispers & Roars manifestiert mit jeder noch so unverfroren eingebrachten Idee die totale Andersartigkeit. Oder haben Sie schon mal Urban Country Music mit Kunst-Shanty-Chansons (vgl. Get Well Soon) im Postrock-Gewand der Marken Tortoise und Kante gekreuzt? Na also.“
"Dieses Album des Hamburger Quintetts ist ein Grower. Die Songs sind atmosphärisch dicht, in Arrangements und Ideen vertrackt, verschachtelt und verspielt, durchkomponiert. Das kann und soll beim ersten Hören nicht funktionieren, aber erschließt sich wie ein guter Film bei jedem Wiedersehen mehr und neu."

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REVIEWS
"Mit "Whispers & roars" legen THE IRON LUNG QUINTET ihr zweites Album vor, und ich frage mich ein wenig überrascht, wie ihr Debütalbum bloß komplett ungeachtet an mir vorbeiziehen konnte. Denn der Nachfolger klingt derart überzeugend und nistet sich irgendwo zwischen NICK CAVE, TOM WAITS und GOLDEN KANINE ein, dass es die reinste Freude ist."
(Blueprint)
„Ob es The Iron Lung Quintet nun daran gelegen oder schnuppe war: Whispers & Roars manifestiert mit jeder noch so unverfroren eingebrachten Idee die totale Andersartigkeit. Oder haben Sie schon mal Urban Country Music mit Kunst-Shanty-Chansons (vgl. Get Well Soon) im Postrock-Gewand der Marken Tortoise und Kante gekreuzt? Na also.“ (Amusio)
„Whispers & Roars vom Hamburger THE IRON LUNG QUINTET ist geeignet, staubigen Bluesrock, rauchige Stimmen, gesungenen Erzähl-Stil und Breaks wieder salonfähig zu machen. Hanseatisch gut. Qualitativ wertvoll !“ (Westzeit)
„Dieses Album des Hamburger Quintetts um Sänger und Texter Christian Uhlig ist ein Grower. Die Songs sind atmosphärisch dicht, in Arrangements und Ideen vertrackt, verschachtelt und verspielt, durchkomponiert. Das kann und soll beim ersten Hören nicht funktionieren, aber erschließt sich wie ein guter Film bei jedem Wiedersehen mehr und neu. Wären die frühen Genesis mit Tom Waits am Mikro in einer Hamburger Hafenspelunke gebucht gewesen, könnte ein Zeitreisender gesagt haben: “Klingt wie Christian Uhlig und seine Bande.“ (Roadtracks)
„Einen seltsamen Namen hat diese Band aus Hamburg gewählt, um seltsame oder besser rare Musik zu machen. Bis hin zur Orchesterstärke besetzt, entführt sie in dunkle Peter-Hammill-Welten, um sich dann in Richtung eines weniger depressiv-melancholischem Hymnen-Pop a la Morrissey zu öffnen.“ (APA)
Whispers & Roars was recorded & engineered by the iron lung quintet at off-ya-tree studios Hamburg. Strings recorded at Bureau B Studio, Hamburg, mixed by Gregor Henning at Le Chatelet and mastered by Chris von Rautenkranz, Soundgarden Studios.
Christian Uhlig - vocals, piano, rhodes, wurlitzer, harmonium, glockenspiel
Frank Wöhst - drums, percussion, programming, backing vocals
Jens Altfelder - electric & acoustic guitars, banjo, programming, backing vocals
David Hawellek - electric & acoustic guitars, backing vocals
Marc-André Klotz - double bass, bass, backing vocals
Axel Ruhland - strings, string arrangements
Katerina Shaynovich - cello
Bob Lanese - trumpet
Lisa Stick - trombone
Bramfelder Liedertafel - choir on whispers & roars
Dinesh Ketelsen - steel guitar on the most beautiful boy
Cover Art: Alex Pröpster
Design: Amélie Putzar
Ilq character: Maren Amini
All Songs written, arranged & produced by the iron lung quintet
All Lyrics written by Christian Uhlig. Slipping by like a field mouse cites a poem
by Ezra Pound entitled “and the days are not full enough”
Thank You our friends & families, amélie putzar, adja schwietring, bente faust, christoph buskies, georg & kirsten reinhardt, kristin siebert, kurt sommerfeld, lennert niemeyer, lesley farfisa, matthias uhlig, maren amini, melanie wilde & everyone at pop-up records, Oliver görnandt-schade, pedi pedsen, stefan pillhofer, stephan dublasky.
May nothing but happiness come through your door.
Wrestling The Pig
calm your nerves with accuracy / fold your vita with care
a gap in your employment biography / is a gap inside you disappear
adjust your tie with accuracy / it may do to calm the beat of your heart
for the golden gift of geometry helped you to learn / the company´s chart by heart
now introduce yourself clearly and directly/ engage in some smalltalk for a start
don´t forget to smile / show eagerness and zest for the job
talk to the right hand of the assistant´s assistant
stare on shiny shoes of a twenty-some
a bad hiring decision/ can be immensely expensive
so here you´ve come
a blackleg with a tie / a cheapjack, a conman
a shill or a complice – whatever they may need
a faint heart has never wrestled the pig / you get nothing, nothing you get for free
except for the tax refund promises/ at the end of economy´s food chain
now introduce yourself clearly and directly / engage in some smalltalk for a start
don´t forget to smile / show eagerness and zest for the job
talk to the right hand of the assistant´s assistant
stare on shiny shoes of a twenty-some
a bad hiring decision / can be immensely expensive
so here you´ve come:
a blackleg with a tie / a cheapjack, a conman
a shill or a complice – whatever they may need
Standard Life (a desperate insurance agent sales talk)
the day will come when you are caught by surprise
when you wish all crime at least/ was organized
this ain´t no threat, this ain´t no paranoia, it is statistics that apply
a man might book the top floor penthouse, yet he don´t know how to fly
you can pray beg cry as much as you like
they sell guns, chord, chainsaws, needles & knifes
around here
objects in mirror are closer than they appear / your lover might be stranger than you´ve ever feared / what are these stains on the bread knife sparkling in the sink?
another accidental contact on the platform, as you´re waiting for the train
and how do you know the sounds of your neighbors are those of joy, not of pain?
you can pray beg cry as much as you want
every bad mother´s got an evil son
objects in mirror are closer than they appear / your ex might be stranger than you´ve ever feared / what is there tick tack ticking in the package that she send?
objects in mirror are closer than they appear / your car might be more of a wreck than you´ve ever feared / what was the cracking sound it just made?
the day will come when you are caught / by surprise / the price / is special, rates are fair
renew your policy today for extra coverage, extra care / get a body size full comfort life long airbag for free
objects in mirror are closer than they appear / your pet might be stranger than you´ve ever feared / what was the icky sound it just made?
objects in mirror are closer than they appear / your lover might be stranger than you´ve ever feared / what was it that she just put in your drink?
Slipping By Like A Field Mouse
another humdrum summer to come / here in the sticks where even razors will blunt
soon the birdsong of april will be caught by the cat / and the leaves of october will muffle all that
when the days are not full enough / life slips by like a field mouse
not shaking the grass / and summer slips through your hands
and then another shag on the rebound / with yet another boy racer
got no talent, got no looks / making love like a pacer
another humdrum summer to come / life is ducking and diving
as if to teach you how to bunk/ soon the birdsong of april will be caught by the cat
and the frost & the snowfall will muffle all that
when the days are not full enough/ life slips by like a field mouse
not shaking the grass / come one mate, let´s shake some grass
and then another shag on the rebound / with yet another boy racer
got no talent, got no looks / making love like a pacer
when the days are not full enough / life slips by like a field mouse
not shaking the grass / come on mate, let´s shake some grass!
All The Dust Of All Asian Cities At Once
here comes the crane, here come the diggers / in the light of the morning they move like monsters / see how hungry they are locking their metal jaws / in the bearing walls
the brutal sounds of slivers and cracks / raise to the core of your backbone and up your neck
can´t we just lock the flat index in like a pet?
another anchor falling prey, another ice floe melts away / in the cold light of day, we stood in silence / aghast
as if all the dust of all asian cities at once / settled in our nostrils and in our lungs
and if you think houses are for shelter and public places were for you / rethink again / and line in the cue of the urban exodus
half in dust and clear as mud / you just don´t meet godzilla half-way/ the monsters are awake and the monsters are hungry
as if all the dust of all asian cities at once, came down at once, all of it at once
all the dust of all asian cities at once
through the heart of the quarter, a clean cold cut / for someone´s view on the water
and another sip of your blood
Clap Hands!
smell a rat, grab a bat / old seymore´s driving off to the bank
„I want my money back!“ / „I want my money back!“ / he roars out the window of his pick-up truck / like a madman so pathetic / if his forearms weren´t so athletic / we might have taken his anger with a pinch of salt / but there´s an axe in the back of his pick-up truck / to town, to town, check on all our credit accounts
clap hands, clap hands, old seymore is driving off to the bank / if they weren´t all embezzled, if they weren´t all spend / I´d bet my life savings on an ugly end
claps hands, clap hands, old seymore´s got an axe in his van
while he was still howling like a wolf would / word had spread all about the neighborhood
like a gathering for some leathering / except for the head-shaking shoulder-shrugging scepticism / where was it back then? where was our common sense? / when the free market kool aid was rushing overland?
Oh, clap hands, old seymore is driving off to the bank / if they weren´t all embezzled, if they weren´t all spend / I´d bet my life savings on an ugly end
smell a rat, grab a bat, old seymore´s got an axe in his van / vultures to my right are folding out banners, humming a piece of another fascist blues / janis to my left says bankruptcy is just another word for nothing left to lose / oh lord won´t you buy me an oversize axe
this is a call out to you vandals
let´s clear him the tracks - now hit it
The Devil´s Wheelbarrow
don´t you weep now / the rain/ mistook us for the ocean and went right in
hush now / the storm/ mistook us for the woods and went right in
and aren´t we just like trees? / we are no leavers, our roots are here in the mud
I´m the oak tree and you´re the willow / stuck in here we are with what we´ve got
down here at the banks they say at night / the devil strides along with his wooden wheelbarrow / picks up the drunks who he dumps into the river/ then found 666 miles east with their fist still clench´n car keys
god knows why the crows loathe / man from up in their trees
they herald what they see
and I wonder /if we sacrificed our cargo could we rescue our ship? / can we just spit out the salty water from the tip of our lips?
down here at the banks they say at night / the devil strides along with his wooden wheelbarrow / it´s timbered out of those who thought / to be out of the wood, out of it for good
god knows why the crows loathe / man from up in their trees
they herald what they see
and aren´t we just like trees?
we are no leavers, our roots are here in the mud
you are the oak tree and I´m the willow
but soakers? no, soakers we are not.
Brass & Reed
goodbye sister / if you want to be an actress / you must learn to leave the stage in time
so come on, pack your silver button dresses / there´s a desert you may cross
there are hearts that will break in two/ it ain´t how you leave but how they will welcome you
with brass & reed / pardon all your sins / if only you succeed
and remember aunt irene / when she hit the scene back in 1959/ they just didn´t get the rhyme / but she´d never say she failed / with her tingle-tangle show / played on family visits
her best character role / her best part ever
oh, what a splendid mime / of glitz & glamour / however / a shining lie
this town will welcome you with brass & reed / if you make it there, they will kiss your feet
once you learned to prance like a diva / you can´t walk these streets no more
without them neighbors trashtalking / and waiting for your fall
Part or Partisan
brothers I envy you / when you sing you do so with conviction
your blood-soaked anthem / means nothing to me
if this is what I have to swallow / than I´d rather not eat
if these are the clothes I have to wear now / I´d be better of naked
I once had a home / once had a nation / but they took it all away from me
as long as these pigs sail under these colours / they do remain my enemy
brethren, I envy you / when you pray you do so with conviction
your blood-soaked psalms/ mean nothing to me
if this is what I have to swallow / than I´d rather not eat
if these are the clothes I have to wear now / I´d be better of naked
Madness Vs. Wall. Wall Wins
last night I swear I saw my bookshelf / spitting papers on the floor
it said it had to / after my crockery threw itself against the wall
they say you´re always faithful/ through the rotten and the bliss
when the hazards have followed out the heralds / pimp your story, make it twist
how how to keep the dogs out / how to free myself from this spell
if I cracked these shutters wide open / it would raise hell
they say you´re always faithful/ through the rotten and the bliss
I am the bear and forbear I have sufferd / no more than a slap on the wrist
tonight I swear I´ll take a run-up / I´ve laid out tartan on the floor
if you never hear of me again / I took it on and crushed the wall
through the rotten and the bliss/ of madness!
The Most Beautiful Boy
the lingering sound / of us/ breathing heavily
zip up your jeans, tuck in your shirt
someone´s always awaiting someone / so the two of us, too
we have to leave
the most beautiful of all them boys / I got at home
clouds heavy with rain / pass this hollow left for rent
there will be heavy seas ahead / so don´t forget your studded belt
around your slender waist we curled alike
so I guess I could call that thing a friend
before we go, before we go / I just want you to know
but we need to shake each other off
like the dogs do with the lice
the most beautiful of all them boys / I got at home
he´s six years old / not into rock / not into roll at all
before we go, before we go / I just want you to know
I am fine, I am alive / apart from the farewell in my sigh
In The Arctic
we once were so lightly / basking in the glow / of our sultry skins
we still hold each other/ to shield us from solitude that comes drizzling in
your glance to the window tells of escape / shall we light up the last beacon? shall we call for help?
here we are, here we are / in the arctic / abandoned / icebound
we once were so lucky / to find the soulmates that we are
but if we pulled with all of our might /we still wouldn´t tear these knots apart
so we wait for spring to reveal / the wideness of the rift
if we broke up now/ where would our ice floes drift?
here we are, here we are / in the arctic / abandoned / icebound
we once were so lightly / basking in the glow of our sultry skins
move back to your mother’s and say / this expedition was aspiring & brave / but it has failed
where is it that your heart wanders? / and why´s your mind always astray?
what you´ve got to say / throw it all away / or throw it in my face
here we are, here we are / in the arctic / abandoned / icebound
Destroy.Rebuild.The Ruins
who had you believed you / were smarter than them?
you held their churches for ruins / to erase it all and: / restart.
who had you believed you were genuine? / nothing could stand your test, nothing could stand your test.
this boy has torn down a whole bunch of walls just to see in the end that the palace he meant to erect by himself does not meet his demands at the nearest when all he ever
expected to need was the right tools in his hand
and he´d build from scratch / something big, something better
and he´d build from scratch / a brave new world at the least
but what he build from scratch / was a ruin
who had you believed you were genuine? / there´s no such thing as the answer worth a crusade, worth a say /
and your anger once was your weapon / but now it is nothing but your enemy
destroy.rebuild.the ruins!